Anat Cohen & The Anzic Orchestra

Noir

Released April 2007

With Noir, Anat Cohen unveils a lush, cinematic take on big-band jazz, blending vibrant orchestrations with her unmistakable virtuosity on clarinet and saxophone. As her first large-ensemble recording, the album is an ambitious statement, seamlessly fusing swing, Latin, and Brazilian influences into a rich, dynamic soundscape.

All About Jazz captures the album’s surprise and brilliance, stating: “Frankly, I had no idea what to expect from Anat Cohen's first big band album. But if I'd had any expectations, they'd have easily been surpassed by the time the opening track reached its midway point.” The review highlights Cohen’s fearless approach, noting that “she’s not only an intrepid and resourceful clarinetist, but also equally impressive on tenor, alto, and soprano saxophones.” Indeed, Noir is a testament to her versatility, demonstrating both technical mastery and deep emotional resonance.

Backed by the powerhouse Anzic Orchestra, Cohen breathes new life into a diverse repertoire, from jazz standards to Brazilian choro and lush film noir-inspired themes. Tracks like “Samba de Orfeu” pulse with infectious rhythm, while her take on “La Comparsa” showcases a moody elegance that underscores the album’s title. Throughout, Cohen’s clarinet and saxophone work are nothing short of mesmerizing—effortlessly blending improvisation with intricate orchestral arrangements.

Released in April 2007, Noir set the stage for Cohen’s meteoric rise, building upon the acclaim of her early albums while introducing a bold new dimension to her artistry. A strikingly sophisticated and evocative recording, Noir remains a defining moment in her career, reaffirming her place as one of jazz’s most compelling and versatile voices.